Tuesday, May 14, 2019

“The Bibliophile’s Dictionary: 2000 masterful words and phrases”, by Miles Westley


294 pages, Writer’s Digest Books, ISBN-13: 978-1582973562

First things first: Miles Westley’s The Bibliophile’s Dictionary: 2000 masterful words and phrases (not sure why that isn’t capitalized) is not your average dictionary; hell, it’s not even a reference work, but more like a book built for browsing, for opening at random and sampling whatever happens to fall before your eyes and running with it. This is because like any proper book about words The Bibliophile’s Dictionary is idiosyncratic and weird, organized roughly into categories but adamantly analphabetic (stumped you with that one, didn’t I? heh heh heh). I mean, c’mon: in what other book can you find “Ursuline” (an order of Nuns founded in 1535 at Brescia, Italy, by St. Angela Merici for the education of girls and the care of the sick and needy) in close proximity to “Knights of Columbus” (the world’s largest Catholic fraternal service organization founded by in 1882 by Michael J. McGivney in New Haven, Connecticut) or “Propinquity” (one of the main factors leading to interpersonal attraction) found so propinque to “Ultramontane” (situated on the other side of the Alps from the point of view of the speaker, but more likely advocating supreme papal authority in matters of faith and discipline). There’s no making sense of it; just have to go with the flow, bro. Really, just flip to a random page each night, absorb a few words that you never knew existed and then attempt to casually incorporate them into conversations with the unwashed public the following day. VoilĂ ! The reaction written across people’s faces is worth every penny and then some. The furrowed eyebrow, the wrinkled nose, the subtle tilt of the head, the raised chin, the sudden and uncontrollable itch on the forehead, the fluttering of the eyelids, the deer in the headlights, that look of utter amazement, and on and on. The Bibliophile’s Dictionary is guaranteed to stump your friends and make you look smarter than you really are, a twofer if ever there was…um, one.

Tuesday, May 7, 2019

“The German Way of War: From the Thirty Years’ War to the Third Reich”, by Robert M. Citino


428 pages, University Press of Kansas, ISBN-13: 978-0700614103

The German Way of War: From the Thirty Years’ War to the Third Reich by Robert M. Citino is one of a whole series of books from the “Modern War Studies” collection published by the University Press of Kansas (guess I’ll have to hunt down a couple more titles now). Citino’s central theme is that from the day of its founding in the 1640s, the Brandenburger, then Prussian, and then German armies had a specific philosophy of combat: give your subordinates near autonomy, be aggressive, keep the war “short and lively” – or kurz und lebendig – and go for flank and rear attacks (I should note here that, subtitle aside, this book really starts with 1675 and the birth of the Prussian Army). This philosophy has its upside, as tiny and impoverished Brandenburg-Prussia eventually became a major power, but the ultimate downside was that these armies had little idea of what to do if the war became prolonged. The three Prussian wars in the 19th Century proved the validity of the quick war, and the strategy for defeating the Entente in World War I followed along the same lines; unfortunately for the Germans, the campaign of 1914 against the French and British did not achieve a quick victory and, in some respects, its failure doomed German aspirations.

In World War II, Hitler, the Oberkommando des Heeres (Supreme High Command of the German Army) and Oberkommando der Wehrmacht (High Command of the Armed Forces) all constructed plans for rapid campaigns and, initially in Poland, Holland, Belgium and France they were successful. Barbarossa did not achieve its ends in Russia, however, and the turning point was reached following the setbacks before Moscow. A single chance remained: that of defeating the remaining Soviet armies in the summer offensive of 1942, but by July (well before Stalingrad) the handwriting was on the wall. The German logistical concepts were also oriented towards quick campaigns, and both in the winter of 1914–15 and 1941–42 the German armies experienced severe supply problems. What had gone wrong was simply that a long campaign was not planned for, and commanders were forced to improvise to an extreme degree.

A second major point in Citino’s work is the development of the officer corps with its Auftragstaktik (Mission-type tactics); that is, the issuing of orders specifying the mission and leaving execution up to the field commanders. Bolstering this was the Army’s excellent training of officers, both in staff and line functions, and the pushing of authority and responsibility for accomplishing the mission all the way down to the squad leader and assistant squad leader level. Although American films like to present German officers and men as blindly following orders, in actual reality German officers and NCOs enjoyed more freedom in decision-making than American officers. Not surprisingly, after World War II the American Army adopted German training and testing methods on a wholesale basis. With respect to discipline and ruthlessness, Citino noted that the German Army carried out 22,000 death sentences in World War II as compared to only 48 in World War I. These are undebatable statistics, but the vast majority of death sentences were carried out on the Eastern Front while the Wehrmacht was in retreat, and commanders such as Schörner and Model consistently resorted to draconian methods to maintain effective resistance.

If I have any qualms with the book it is that it focuses on the Prussian-German way of war, not going into other traditions of the German States, i.e. Bavaria, Saxony, etc. That would have been interesting – very interesting in fact – but might have made the book prohibitive in length and discourse. Still, I’d like to know what influence, if any, the Bavarian military tradition had on the army established in 1871 by the German Empire and afterwards. This is a small qualification for a first-class book as The German Way of War brilliantly sets out its thesis of a steady and somewhat predictable (attack the enemy wherever they are) military tradition in the German Army from the Great Elector through 1945. Relevant examples are given to support the thesis, and Professor Citino convinced me of his point of view. Fascinating sections on personalities that influenced the German Army through the ages – Frederick the Great, Helmuth von Moltke, Alfred von Schlieffen, Hans von Seeckt and so many others – are interesting and enlightening, while his analysis of the willingness of the German General Staff to accede to the wishes of Hitler – and their later attempts to expunge their record after 1945 – is eye-opening.

Saturday, May 4, 2019

“Batman: The Dark Knight Returns”, written and illustrated by Frank Miller, illustrated by Klaus Janson and Lynn Varley


224 pages, DC Comics, ISBN-13: 978-1563893421

What else can be said about the four-issue miniseries that reinvigorated one of Comicdom’s most iconic but, at least in 1986, tired characters? Batman: The Dark Knight Returns is the omnibus collection issued in 2014, but the art and story are all the same (what, I’m gonna plunk down a thousand bucks for a first edition set? Eh…no). First off, I am not a comic book fan or collector; I gave it a go by buying Firestorm back in the 80’s (oh, and Groo the Wanderer by Sergio AragonĂ©s; ah, how I miss ya, Groo!), but after my Dad took us all on a history-themed vacation in 1982, my heart and my head were forever lost to the past. But when my brother Tom began collection the Dark Knight series, even I was taken with it. Me. Can you imagine? So what is it about this thing that captivated a whole generation of geeks and nerds and breathed new life into not only this one character but, arguably, into the industry as a whole? This series tells the story of a middle-aged Bruce Wayne who has given up being Batman; however, the disastrous situation in Gotham City draws him back to the cape and cowl in order to save the city and its people. I won’t spoil anything for those who haven’t read this (30+ year-old) series, but if you haven’t done so, go out and do so. NOW.

This was the first comic book…er, graphic novel, that actually made me give a damn about cartoon characters; I’d watched movies and read literature that did the same, but I’d never read a graphic novel that treated it’s characters so seriously (although, come to think of it, Alien Legion at around the same time was a series work that was awesome, to boot). It’s difficult to describe just how influential this work was, speaking as one who actually read it after its original release. Without The Dark Knight Returns, would there have been Alan Moore’s Watchmen? Or Neil Gaiman’s The Sandman? These, and many others besides, were disruptors of comics, and the genre has never been the same since; it’s so easy to forget with one comic book movie after another dominating the multiplexes of the world just how unpopular you had to be to like these, but this is a direct result of this one, groundbreaking earthshattering masterpiece. The art by Miller was controversially different from what was the norm at the time, as it challenged the predominantly Jack Kirby Style that was prevalent with something a lot more impressionistic, allowing the reader to focus more on the story than being distracted by the art. The art style also emphasized the dystopian nature of the imperfect future described by Miller. For the newbie reading this, bearing the above in mind will help, I trust, enhance the understanding and the enjoyment of the reading experience. Even if you don't like it, I hope you see the importance and significance that this book had on not only one of the most well-known characters of all time, but also an entire medium as a whole. Sooooo…why are you still sitting there? Go out and read The Dark Knight Returns. NOW.