Wednesday, April 23, 2014

“Eiffel’s Tower: And the World’s Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count”, by Jill Jonnes


368 pages, Viking, ISBN-13: 978-0670020607

Eiffel’s Tower: And the World’s Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count is not just a biography of Alexandre Gustave Eiffel or the incredible tale of the building of one of the world’s most magnificent architectural wonders; it is so much more.

The setting is 1899 Paris, it is the time for creating the magic for the new World’s Fair, but the story begins in 1897 with Eiffel’s dream to design a magnificent, modern the tower as the centerpiece of the upcoming fair. This is an absorbing story of how one man fought against many people who were opposed to the building of the tower and how he persevered to win the prestigious slot to use his dream tower to be the showcase of the future Paris World’s Fair. Revealing to us the engineering feat of what it took to design and pull off this ingenious iron marvel, the book is simply fascinating; I learned a tremendous amount of how the Eiffel Tower was constructed and of the many talents and physical demands of the men who strived to make Eiffel’s dream come true. Interesting, too, are the little biographical tidbits that the author intersperses around the long lived years of Eiffel’s life and of his many other astounding achievements (he had a hand in other major engineering projects around the world that readers will certainly recognize, never realizing he had been involved with their development).

As the Eiffel Tower slowly soars skyward, the author also pulls together various stories of the menagerie of famous and prominent people that also exhibited and entertained the many millions of tourists who flooded Paris with their enthusiasm to see the newest wonders of the world. Alternating between Eiffel’s daily setbacks and conquests involving the erection of the tower, are delightful snippets of enchanting characters such as: Buffalo Bill Cody; Annie Oakley; Thomas Edison; Charles Otis; Vincent Van Gogh; Paul Gauguin; James Whistler; and many others besides. Jonnes paints an evocative panoramic picture of what it was like to bring the World Fair’s exhibits to fruition. 

The biographical sketches of Annie Oakley and Thomas Edison in particular were very captivating as we learn many more interesting facts about each of their lives and talents that I doubt most people are aware of. I thought the author did a sensational job of developing the story of Paris’ Victorian year of extravagance, giving the reader a fun and informative book of mechanical marvels, innovative scientists, inventors and engineers, and outlandish artists and prominent celebrities that at the time, dazzled every household around the globe. Eiffel’s Tower was an engaging and delightful read that will be enjoyed by all lovers of history, Victorian era fans, World’s Fair enthusiasts, and especially by all engineers and inventors. To view Paul Gauguin’s Tahiti Paintings, to see Edison’s new phonograph, to listen the blood curdling whoop and holler of the American red Indians of Buffalo Bill’s Wild West Show, and to hear the daily newsboys hawking “Read All About It” as news of the fair and tower progress, had me feeling I was right there in Paris taking it all in, walking the faux streets of Cairo, boarding the trolley train, swaying to the music as Javanese dancers mesmerized the crowds, and ending the day by boarding an elevator 1000 feet up in the air to the top of Gustave Eiffel's electric lit crowning glory. Reading this book was a memorable experience that allowed me to feel I had stepped back in time.

Monday, April 21, 2014

“The Mask of Command: Alexander the Great, Wellington, Ulysses S. Grant, Hitler, and the Nature of Leadership”, by John Keegan


368 pages, Viking Books, ISBN-13: 978-0670459889

With The Mask of Command Keegan returns from the raw shellshock of combat and furnishes four accounts of famous military leaders; his focus, however, is not on strategic or tactical decisions, but on how these men led, the theatre and persona that these leaders cultivated to provide the trust and moral fiber which motivated their men. This is what Keegan means by “The Mask”; the image, the spirit, the incarnation of what subordinates needed to believe in order to fight. It is in some sense combative to claim that this persona is a Mask – that is, an artifice contrived to motivate and not strictly who these leaders “were”. To some extent, it is impossible to know what any historical figure actually “was” or simply what we even “are”, but in any event, these particular leaders had very interesting masks and Keegan does a superb job in each account.

Clearly, if a leader is to be effective he must have the respect and trust of his men. The problem is that the mechanisms for gaining this respect are either fraught with personal peril, require the embodiment of a cause which is rarely stain-free, or rest upon a non-trivial ideological framework. The simplest starting point, then, is to answer Keegan's question, “in front: always, sometimes, or never”. “In front” always has the advantage of pressing home the point to the men that the leader is bold, unafraid to assume the same risks as his men for a purpose in which he must clearly believe; it also has the disadvantage of placing the leader in mortal danger. So a complication arises, namely, that good leaders are rare and precious, that losing them does a belligerent no good, but that to eschew personal risk is to court mistrust. Alexander, Keegan’s first case study, chose “always” and was able to do so in part because early warfare did not have the lethality of later warfare – arrows rarely hit their mark and skill at arms could tell in the local heat of combat. Alexander could thus afford it, but he too felt it incumbent to act more and more heroically – i.e., to take increasingly greater risks the more he demanded of his men, finally risking too much and losing his life. Wellington opted for “sometimes”, rushing about from regiment to regiment at Waterloo, courting stray musket balls and grapeshot at every turn, exhorting and directing at all times. Still, he did not lead from the front, which was probably a wise decision when impersonal bullets could kill men in swaths. Grant more-or-less chose “never”, as did Hitler.

The issue then arises for all leaders, but especially for those leaders who chose “never”, to find other means of gaining trust and belief. Alexander would engage in dramatic antics, spending days in his tent in peevish anticipation of apology, and would don fabulous armor for engagements. Oration and rhetoric were vital to his success as he attempted to hearten at least a portion of his men. Wellington cultivated the persona of the stoic gentleman warrior, an iron will of perfection, fair to all but intolerant of sloppiness. Grant cultivated the image of being “one of the boys” – surrounding himself with home-town friends, spurring his men by honestly showing them his hangdog vulnerability, and by relying on his men’s belief in the justice of the Union cause (they were, after all, citizen-soldiers, volunteers, men of conviction).

Hitler’s leadership required the constant bolstering of a seductive ideology, endless infusions of propaganda. Belief in his command was cemented by the ceaseless exhortations of Goebbels. Like the uncreative and largely ineffective generals of WWI, Hitler hid in secret bunkers while his men died far away. That Hitler could get away with it for so long and so successfully was largely due to the dramatic improvements in communications, but also through the constant retelling of the Fuhrer's heroism in WWI. Ultimately, Hitler was not a hero, but a false god whose command withered with the monstrous dream of the Third Reich and his distance from the realities of the front. Here, Keegan does a particularly fine job detailing Hitler’s neurotic infantilism, his growing separation from reality, his insecure sense of isolation, and his final ignominious demise.

The text effortless weaves these historical perspectives into a short, concise study of leadership styles and requirements and then presents a clear thesis on leadership in the nuclear age. This thesis is truly terrifying in light of the implications of history; our origins appear to contradict the requirements for future survival. This text is as much a study in leadership and management styles as it is a military science text. It is well written and highly enjoyable. If only we could get Dr. Keegan to add an addendum to leadership in the age of stateless terror.

Thursday, April 17, 2014

“The Face of Battle: A Study of Agincourt, Waterloo, and the Somme”, by John Keegan


354 pages, Viking Press, ISBN-13: 978-0670304325

One of the greatest aspects of John Keegan’s impeccable writing style is that it is always used in service to the telling the story at hand – in this case, a quite unique and fascinating look at the literal face of battle itself, that is, at the nature of the experience of combat from the common grunt’s perspective. Of course, since in most of his other tomes he argues masterfully about the integrating elements of warfare regarding set campaigns and battles in a specific conflict, here he focuses brilliantly on the nature of organized violence itself and how it is perceived and witnessed by the men who are so engaged. In a very real sense, he has reversed the usual logic about conducting war from the overall perspective and strategies of the generals and admirals overseeing the engagement of forces to, instead, focus on the horrific and mind-boggling perspective of the soldier on the ground – the “cipher” so often taken for granted and ignored in historical treatments. For this reason alone any serious student of military history should enthusiastically devour this book.

Yet, of course, as we devotees of Keegan’s works have come to expect and admire, there is much more of value in this thin but provocative volume. Keegan memorably details and describes the horror, pain, and confusion of the battlefield and redefines our understanding of what it means to be a soldier – from the nature of a soldier’s fears to the physical and emotional assault on his person, covering everything from wounds to trauma to shell shock. He accurately and articulately describes the operation of everything from field hospitals to makeshift prisoner of war camps, and the atrocious realities involved in experiencing either. Similarly, he briefly explores the nature of leading men into combat, and the qualities of personality that make one a leader under such traumatic circumstances – how it is that some men can make his fellows stand their ground when everything around them screams for them to flee.

Combat is surely one of the most extreme of human experiences, and as Keegan so deftly demonstrates, it is also one of the least understood, for whether Keegan is describing the terror of the archer attack at Agincourt, the ball and musket charges at point blank range at Waterloo, or the hailstorm of rapid-fire machine guns used to such horrific effect against the trench charges in the First World War, he has captured the insanity, bravery, and futility of the experience of war better than anyone else to date. I highly recommend this book to any student of war or military history.