568
pages, Oxford University Press, ISBN-13: 978-0198229117
Charles II: King
of England, Scotland, and Ireland is an in-depth narration of Charles II and
his travels and travails in the 1650s and through the tortuous machinations of
Restoration politics. The book’s strengths are many: 1st, it is supported
by a range of archival research that is uncommon in historical biography and
that is used to excellent effect; 2nd, it is a rich and full account
of Charles’ life and career during the Interregnum; 3rd, it is a
bold attempt to write about the problems of multiple kingship over three very
different realms. It is, then, an overwhelmingly detailed yet entertaining book
and has much to teach the student and scholar alike. Not that it is not without
its flaws; the attempt to keep the story moving occasionally leads to some
oversimplifications of complex issues, such as the account of the Worcester
House Declaration, or the Savoy Conference, or the build-up to the Exclusion Crisis,
or the arguing away of the evidence for Charles’ dalliance with Roman
Catholicism. Also, while Hutton obviously knows his stuff, he is evidently
incapable of even courteous debate with those whose interpretations differ from
his own, thus creating a discourtesy to his readers which he is seeking to
avoid in his dealings with colleagues (as an example, see the remarkable footnote
spanning pages 496-7. Ouch).
For
all that, this rich and satisfying life and times, which does so much to
illuminate the history of the period, leaves Charles II as a living, breathing,
human being, though surprisingly fuzzy. We understand his predicaments and his
responses to individual issues, but the deeper, inner drives remain
surprisingly unclear. Charles gives the book its shape and purpose, but he is
more catalyst than principal. This deeply private king who disguised himself as
successfully from his biographers as his father has. The diffident, rather
grudging, conclusion confirms that limitation on Hutton’s achievement. His book
avoids the indulgence of some biographers and the moral prurience of others, but
it makes sense of Good King Charles’ Golden Days without quite making sense of
Good King Charles.
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