384 pages, Sterling,
ISBN-13: 978-1454925750
I’ve
mentioned my fascination with the Gilded age before, when I reviewed “Consuelo and Alva Vanderbilt: The Story of
a Daughter and a Mother in the Gilded Age” by Amanda Mackenzie Stuart on November
15, 2018. “The Gilded Age” was first coined by Mark Twain and Charles Dudley
Warner in their novel of the same name, and was a time of adolescent expansion
of the post-Civil War United States from a nation of farmers to a nation of
corporations, business and the rise of massive consumerism. It was an age of
technological advancement propelled by such behemoths as Thomas Edison with the
electric light bulb and Alexander Graham Bell with the telephone; giants of
industry – such as Andrew Carnegie in steel, John D. Rockefeller in railroads
and oil and JP Morgan in many fields – made America an economic power house. It
was also an age of widespread corruption and greed, as evinced in the lives of
the piratical Robber Barons. Reformers abounded, from Carrie Nation against
liquor, to suffragettes and civil rights activists. Modern advertising and the
rise of the department store along with modern retailing were developed.
Immigrants from Eastern Europe and Asia came to America lured by promises of
employment. The era’s political era ended with the outbreak of the First World
War
And
so I got The Gilded Age, 1876–1912:
Overture to the American Century by
Alan Axelrod with expectations of more of the same sort of discussions brought
about by the before-mentioned Consuelo
and Alva, only on a more complete scale. While the Vanderbilts – and all of
the other Robber Barons, as well – are discussed, Axelrod’s work is much more
wide-ranging, as he discusses the low along with the high, the mansions of the
rich as well as the tenements of the poor. At not-even 400 pages, though, is
serves more as a primer to this rather familiar-looking era, full as it is with
numerous pictures throughout that will keep younger readers more engaged (and
not a few older ones, as well) while reading about this intriguing era. All of
the numerous topics I mentioned above are touched-upon and introduced, but I
imagine that each subject could and, probably, should warrant a book all its
own that delves deep into its darkest reaches. But anyway, I liked The Gilded Age as the start of a
conversation and hope to expand my knowledge of this fascinating ear more in
the future.