313 pages, Ballantine Books,
ISBN-13: 978-0345322210
Incarnations of Immortality is the name of an eight-book
fantasy series by Piers Anthony, of which Wielding
a Red Sword was Book Four. Mym, an Indian prince, defies his father’s plans
for an arranged marriage and instead joins a travelling circus where he meets
Orb, who teaches him to overcome his own handicap of a terrible stutter through
song. He is soon discovered and his father arranges for him to marry a princess
by the name of Rapture of Malachite. After fighting against this for days on
end, he finally realizes that Rapture is worth loving, and so concedes to the
marriage; however, a plot to separate him from her results in his decision to
become the Incarnation of War…although, upon years-after reflection, the driving
premise of this volume seems more concerned with finding a permanent love
interest for Mym than it does with exploring the role/nature of the Incarnation
of War – which is too bad, as Anthony raises the troubling concept that war is
a necessary outcome of conflict within societies and strives to reduce the
waste and injustice entailed. Deep, man, and a gauntlet thrown to the “war is never
the answer” crowd. Thus, this book doesn’t really add much to the series as it
read like a point-by-point retread of On
a Pale Horse but with a protagonist that’s less sympathetic and more like,
say, a little prick you’d like to kick repeatedly.
However,
two interesting conventions are either expanded upon or introduced. The first
is the tying together of the various characters, hinted at in the first couple
of books, but emphasized strongly in this volume. Now we know some of what
happened to Orb, introduced in the previous volume as the daughter of Niobe. It
certainly appears that Anthony intended to unite all the Incarnations in one
family (or love) relationship. The other is the idea of an Incarnation
defeating Satan by threatening to bring down the entire world. In the previous
three novels, the title character’s showdown with Satan never approached this
level. Also expanded upon are the concepts of the “lesser incarnations”, a plot
device which is (probably) necessary to explain the “Four Horsemen” which
traditionally accompany War, but introduces a weakness in the integrity of the
series as a whole. The worst aspect of this volume is that it neglects the
qualities that are the strengths of the other books in the series: namely, Anthony’s
delightful universe, wherein science and magic coexist with each other; and the
quasi-religious framework of the incarnations, neither of which is properly
exploited in the book, despite numerous opportunities to do so (additionally,
the unifying plot of the series is only tangentially explored, leaving most of
the book to rely on Mym’s antics). S’alright book, I guess, but with several glaring
and, thus, distracting weaknesses.
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