464
pages, Harper Perennial, ISBN-13: 978-0060744939
Catherine
de Medici has been called many things over the centuries – Madame La Serpente; The Black
Queen; The Maggot from Italy's Tomb
(!) – but one thing she hasn't been called is boring. In Catherine de Medici: Renaissance Queen of France, Leonie Frieda has
crafted an engrossing biography of a much maligned Queen. Catherine de Medici
came to France at the age of fourteen to marry Henri, Duke of Orleans, later to
become as King Henri II. She was not a princess; in fact, she not of royal
blood at all. Instead, Catherine was the daughter of wealthy Italian merchants:
her father was Lorenzo II de Medici and her mother was named Madeleine de la
Tour d' Auvergne. Shortly after her birth, Catherine lost both her parents and
became a pawn (and prisoner) of her powerful Medici relatives. Frieda's
biography is intended to provide a sympathetic and diverse view of a woman that
history has branded a poisoner and murderer. Far from straying from Catherine
flaws, the author openly discusses the events that helped cast the
Italian-French Queen as a villain. To better understand Catherine's later disastrous
actions, one has to follow Catherine's history from her tragic childhood to her
fortunate but unfulfilling (to Henri anyway) marriage to Henri II. The author
does a superb job at identifying the key events that helped form this
courageous and powerhouse Queen.
The
gist of the author's argument is that Catherine's greatest fault was loving her
children to the extreme. She writes: “No mother has done more to promote her
children at whatever cost to herself, themselves, and their times.” Even before
conceiving a child, Catherine was going to the extreme for her unborn children.
Barren for a decade, Catherine subjected herself to dangerous and bizarre
treatments to increase fertility. Perhaps the most extreme action Catherine
took to increase her chances of conceiving was watching her husband and his
mistress, Diane de Poitier, make love. It is said Catherine ordered holes
drilled in her floor where she might watch her husband and his mistress. Since
Diane had borne her husband a child, Catherine figured she might pick up clues
why her and her husband's lovemaking was not resulting in a pregnancy. Catherine
did conceive, in fact; ten children, to be exact. Tragically, Catherine
survived all but two: Margot and Henri III.
Frieda
argues that the actions Catherine took to defend her children and their legacy
resulted in the image of Catherine de Medici that survives today. After the
death of her husband and the reign of her first born, Francis II, France became
embroiled in a bitter religious war between Catholics and Protestants.
Catherine's reluctance to put a forceful end to the Protestant movement vilified
her in the eyes of Catholics, yet, Catherine's involvement in the St. Bartholomew’s
Day Massacre turned Protestants against her, as well, and for good reason.
I
disagree with certain reviewers who claim Frieda's biography fails to provide a
sympathetic view of Catherine. If you are judging by 21st Century
standards, the no, this book is in no way sympathetic to Catherine de Medici.
After all, what modern mother who plots, murders, and even sacrifices her own
children would be considered anything but evil? Catherine did all these things.
She ordered assassinations of individuals who put her sons’ legacy in jeopardy.
She clearly ordered the murder of Lignerolles, a gentleman who Catherine
believed was steering her son Henri towards religious fanaticism and possible
homosexuality. She also beat her daughter Margot for daring to engage in
romantic liaisons with Henri of Guise. Additionally, immediately after the
death of her daughter Elisabeth, who was married to Philip II of Spain,
Catherine was busy proposing a second marriage to Philip, this time to her
other daughter, Margot. Worst of all, Catherine offered to eliminate her own
daughter in order for her husband, Henri of Navarre, to marry Christina of
Lorraine. The marriage between the latter would have quelled the religious
strife that was tearing the nation apart.
In
order to truly appreciate the portrait Frieda is trying to portray of
Catherine, you must not judge by modern standards. Catherine's main
preoccupation was retaining her children's legacy and achieving peace in a
country that was torn between Protestants and Catholics. As the mother of weak,
sickly, and foolish Kings, Catherine was determined to plot, murder, and
sacrifice to ensure the future of the Valois dynasty, not a commendable 21st
Century trait, but the workings of a powerful and admirable 16th Century
Queen.
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