352
pages, Osprey Publishing, ISBN-13: 978-1841768311
This
omnibus volume in Osprey’s relatively new Essential
Histories line combines four previously published entries on the Napoleonic
Wars in the series: The Rise of the
Emperor, 1805-1807; The Empires Fight
Back, 1808-1812; The Peninsular War,
1807-1814; The Fall of the French
Empire, 1813-1815. Todd Fisher, the Executive Director of the Napoleonic
Alliance and Chief Executive Officer of Emperor’s Press (which specializes in
Napoleonic history), is the author of the first two parts; Gregory
Fremont-Barnes, who is a Senior Lecturer in War Studies at the Royal Military
Academy Sandhurst (and who also wrote the French Revolutionary Wars volume in
the Essential Histories series) is
the author of the final two.
Each
“book” follows a general format: opening with the background to the war,
followed by a description of the comparative situations and characteristics of
the armies involved-the French, the Austrian, the Russian, the Prussian, the
British, etc. This is followed by a narrative history of each campaign, and
finally a description of the situation at the end of the campaign. Short
descriptions of peripheral actions (i.e., usually, except for the Peninsular
War section, those where Napoleon was not present) in other theaters are also
included. In addition, each “book” includes one or two “portraits”, short,
self-contained biographies of soldiers and civilians. One of the portraits by
Fisher, for example, is of Philippe-René Girault, a soldier-musician who served
during both the Revolutionary and Napoleonic Wars. Another is of Louise Fusil,
a French actress caught up in Napoleon’s retreat from Russia. Fremont-Barnes
chooses a couple of politicians to profile-Canning and Castlereagh, as well as
a common soldier and an artillery officer. Fremont-Barnes also presents an
essay on the effect of the Napoleonic Wars on the arts, and also a conclusion
giving the consequences of the wars and detailing Napoleon’s legacy.
The
nature of the book dictates that it will be written with broad strokes and
generalizations characteristic of a survey-type work. Armies are often
described with national stereotypes-the French fight with élan, the Austrians
conservative, the Russians doggedly stoic, etc. But it is unfair to compare a
work like this to monographs detailing a specific battle, campaign, army, etc.
Both authors present their narratives in a readable manner. Fisher is generally
more sympathetic towards the French, while Fremont-Barnes leans towards the
Allies, especially the British, somewhat balancing each other. But some might
criticize the emphasis on the French and British as short-shifting the other
participants. Fisher tends to emphasize those battles under Napoleon's purview,
while in the Peninsula “book” Fremont-Barnes emphasizes those where Wellington
was present. Fremont-Barnes makes greater use of contemporary quotations than
Fisher does.
As
is to be expected from an Osprey book, the work is generously peppered with
illustrations and maps- including contemporary prints, paintings, etc. Maps of
battles and campaigns aid the reader in following the action, but the volume
lacks the highly detailed situation maps one has grown accustomed to with
Osprey's battle histories. Oddly, for example, there was no map of the
battlefield of Austerlitz included, though there was one for the campaigns up
to and following that pivotal battle. The reader should not expect startling
new theories about the Napoleonic Wars. Osprey books are not the proper venue
for propounding new, controversial theories or focusing on political,
diplomatic or social history. Osprey knows its customers and the focus is
squarely on the military, and the audience for this book would mainly be the
reader with a casual interest in the subject or the novice just starting out
studying the era.
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