688
pages, Alfred A. Knopf, ISBN-13: 978-0307266514
Jerusalem: The
Biography by
Simon Sebag Montefiore is an impressive effort born from a combination of
intelligence, scholarship and superb talent. The City of Jerusalem needed such
a biographer such as Montefiore. Many writers and scholars have approached this
subject in different ways, rivers of words had flown about the universal city,
but nobody had offered such a vibrant panoramic and punctual view before, for
in many respects the history of Jerusalem is the history of world. It is
difficult to talk about any emperor, king, ruler, and sultan of the past and
not to mention Jerusalem; indeed, it is difficult today to open a newspaper and
not to find an article on Jerusalem. For millennia, Jerusalem was a formidable
center of attention; everybody wanted to be involved with this city, conquer it,
destroy it, rebuild it, subjugated it, visit it. Jerusalem is the protagonist
of the Bible; it is history and legend; Jerusalem is on earth and is also the
only city that exists in Heaven. So strong and so fragile, it needed to have
another dimension to survive all the offenses received. It is the capital of
two people, the shrine of the three Abrahamic faiths, and the place where the
Apocalypse will take place. An ancient city layered with hope and desperation
whose tragic destiny was always shaped, for various reasons, from far away.
An
incredibly long and complicated history like the one Montefiore tells begins in
5000 BC and ends today in 1967, and throughout the author manages to maintain
the impartiality of the historian in such a delicate and ignitable matter. He
feels that the meaning of his book is to show how both parts, the two people
(Palestinians and Israelis) have their own reasons, rights, and history, and they
both finally deserve peace. The author also stated that he wants just to pursue
the facts, not to judge the mysteries of the different religions, and he writes
about Judaism, Christianity and Islam dispassionately, often dissipating the
confusion that can naturally rise between history and religious tradition.
The
structure of the book cleverly allows the reader to have an easy access to it.
The narration has a smooth chronological development and it's divided in nine
main parts which are in turn divided in chapters, each dedicated to a character
and his/her lineage. Thanks to this agile structure, the reader can chose to go
directly to the chapters of his primary interest or just follow the sequence,
and easily find himself reading every single page, captured by the flowing of
the events and propelled by the light of new curiosities. Montefiore’s style is
dense, measured, and so pleasantly fluid. He is able to masterfully depict the
characters that troubled and made Jerusalem thrive like a painter; with but a
few essential brushstrokes Montefiore can describe their personality, features,
qualities and destinies. The succession of the events is fast but always
controlled and lightened by juicy curiosities, evocative atmospheres (and by the
author’s tactful sense of humor).
Jerusalem
is vividly described in its evolving features, the great architecture
constructions (made, as it happens, recycling the material of the
predecessors), the dusty roads, the walls, the hills, the heat. Jerusalem with
her busy inhabitants, the markets, the waves of thousands of pilgrims, the
sacrifices, the smell of the burned meat of tons of lambs. The traffic in the
temple, the high priests (who often ended up slaughtered), the massacres, the
stench of the dead bodies, the invasions (strategically often perpetrated
during the Sabbath), the mass crucifixions, the screams of the ones thrown down
of the walls, the madness and the fear in the streets. The whores, the lust,
the vices. The political reasons and the religious sentiments of the rulers,
their family and subordinates brought to thriving moments, sudden reversals of
fortune, imaginative intrigues, repetitive killing of family members,
imprisonments and changeable alliances. With no peace, Jerusalem saw thousands
inhabitants given to slavery, new migrations repopulating the city and the
cyclical persecutions against the Jews, in a scary alternation of tolerance and
intolerance.
This magnum opus is both a tool for the knowledge
and a lively biography, a scholarly book meant to be appreciated by readers of
different levels. It can satisfy readers interested in history, religion,
civilizations, international cultures, art, archeology, human behavior, family
ties, war strategies, political balances and unbalances, romance, or just any
curious reader. In short, Jerusalem: The
Biography is almost the perfect book.