337
pages, Free Press, ISBN-13: 978-1416583035
No
single book can tell the story of the Roman Empire; the best any one book can
do is focus on one aspect and tell the story of Roman Empire through that
focus. In Caesars’ Wives: Sex, Power, and
Politics in the Roman Empire Annelise Freisenbruch attempts to give an
alternative history of Imperial Rome the lives of the notable women of the
Empire (and not just those who were married to a Caesar) from the
Julio-Claudian emperors of the 1st Century AD to the end of the
Roman empire in 476 AD.
Anyone
familiar with the history of the Roman Empire knows that recounting the
historical narrative is difficult; many historical figures are known by
multiple names and the same name is common to many historical figures. Freisenbruch
includes multiple genealogical charts to help the reader navigate through the
morass of names, but her style of writing adds to the confusion. For instance,
in the first paragraph of chapter one, the story begins with Nero and his 17-year-old
wife, Livia, running for their lives in a burning forest; in the very next
paragraph, the text jumps to the political fallout following the assassination
of Julius Caesar, which is then followed by a comparison of Livia to Cleopatra,
which brings us back to a brief biography of Nero. Nowhere in the chapter does
the author take the reader back to the burning forest and how Nero and Livia
made their escape. Similarly, chapter five begins with a discussion of two
plays about the emperor Titus and his mistress Berenice – that premiered in
1610. Berenice’s story is quite an interesting historical figure (she is even
mentioned the Bible), but it would have been a lot clearer for the author to
recount her story first and then report that in the Middle Ages her life was
made into competing plays, not the other way around.
A
journey through the history of the women of the Roman patriarchy is a fine
subject worthy of exploration, and while interesting for Roman history buffs, this
book can be somewhat disappointing in that most of the personalities don't exactly
leap off the page (unlike so many of the Roman men about whom one reads over
and over). But this probably isn’t the fault of the author; there just isn’t
that much information available about Roman women, even the prominent ones, and
much of that information is biased to boot. In a society where the role of the
virtuous woman was to be unseen, unheard, and unheard about, this is hardly
surprising; even ladies of talent and category were whitewashed in Roman
histories, to preserve the virtuous image of their families. As noted above,
this is an interesting and easy read for those who really love Roman history,
but others may not be drawn to it.
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