308
pages, Harry N. Abrams, Inc. (HNA), ISBN-13: 978-1885444264
Degas and the Dance is the companion book to the exhibition
of the same name that was seen at the Detroit Institute of Arts in December of 2002
and the Philadelphia Museum of Art in February of 2003 (this book has a special
place in my heart ‘cause this was one of the first exhibitions I worked at the
DIA as a volunteer). Among the supreme masterpieces of 19th Century
art are Edgar Degas’s dramatic, incisive, and often brilliantly colored
pictures of the ballet, yet despite his enormous popularity as the foremost
artist of the dance – with more than half his vast body of paintings, pastels,
drawings, and sculptures devoted to the on-and-off-stage activities of
ballerinas – this was the first major exhibition and catalogue to illuminate
the theme in its historical context. This authoritative book presents much new
material about Degas as an artist and his relationship with the ballet of his
day. Far more knowledgeable about the training and technique of dancers than
has previously been realized, Degas is shown responding to numerous ballet
productions at the Paris Opera, to the shadowy life of the wings, and to the daily
routines of the classroom.
Degas and the Dance explores the French Impressionist’s
lifelong fascination with the dancers and theater of his day. Adding
substantially to previous studies, the authors propose new links between some
of Degas’s characteristic themes – such as laundresses and horse racing – and
the lithe women (and girls) he painted incessantly. Fresh light is also shed on
Degas’ fascination with women in their public and private lives. Works by Degas
in all media are considered: paintings, pastels, drawings, lithographs, etchings,
monotypes, and sculpture, and juxtaposed with the French theater of the day.
Comparable human predicaments and parallels in visual language are all part of
this wide-ranging analysis, which deepens our understanding of one of the
world’s greatest artists. A very good catalogue of what was a illuminating and
ground-breaking exhibition on one of the world’s great Impressionists.
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