352
pages, Viking, ISBN-13: 978-0670844128
In
his book The Ottomans: Dissolving Images,
Andrew Wheatcroft, lecturer in the Department of English Studies at the
University of Stirling, approached the topic from both European and Turkish
perspectives, using accounts from Western travelers as well as historical
Ottoman narratives in an attempt to provide a relatively balanced examination
of the Osmanli (Ottoman) Dynasty in the 17th-through-20th-Centuries.
Wheatcroft produced a text less concerned with the traditional history of the
Ottomans as much as the ways in which the internal and external images of the
sultanate changed over time. The text roughly follows a chronological approach,
with chapters that revolve around particular themes related to stereotypes and
myths – both internal and external – of the Osmanli. Accompanying the text are
several sections of paintings and photographs – for which the author strove to
avoid Orientalist caricatures (except when discussing Western misconceptions) –
that provide readers with visual representations of the textual analysis. Notes
accompany the sections with illustrations, offering additional insight into the
visual representations of the Ottomans.
With
all that said, I can’t help but feel that the author either lost his focus or
he became bored with his subject. In the early chapters, Andrew Wheatcroft
wrote of the stirrings of the fierce people of Anatolia (today’s Turkey), how
they organized under their dedication to a militant strain of Islam, he
adequately captured the drama of the time. When he described the blow-by-blow
account of the fall of Constantinople, the crown jewel and last holdout of the
Byzantine World, in the mid-15th Century, a general reader’s
interest was whetted. The best was yet to come – or so the reader thought. But,
alas, the best didn’t come. The book just…petered out. A good start but no
follow through. It became clear though, that Mr. Wheatcroft wanted to leave his
readers with the notion that the Ottomans – that is the Turkish Ottomans – were
and are opposed to modernization and change. He went into great detail
reporting that in the 18th and 19th Centuries, when
successive sultans tried to change the ancient, clumsy and archaic war methods
and dress of the janissary warriors, they met with rebellion. Change was not
welcome, and was bitterly opposed, even to death. So purposefully does the
author push this theme of abhorrence to change, that in the final chapters he
barely mentioned the explosive changes made in the 20th Century by
Kemal Atatürk.
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