117 pages,
Dark Horse Manga, ISBN-13: 978-1593078157
Okay,
bear with me here: even though Ghost in
the Shell 1.5: Human-Error Processor would, due to its ordering number,
appear to be the second volume in The
Ghost in the Shell series, in fact it was published last. You see, these
stories are in fact the “lost” The Ghost
in the Shell stories, created by Masamune Shirow after completing
work on the original The Ghost in the
Shell manga and prior to The Ghost in
the Shell 2: Man-Machine Interface, but never collected before now. See
now? I knew that you would. And so, here we go…
Deep
into the 21st Century, the line between man and machine has been
inexorably blurred as humans rely on the enhancement of mechanical implants and
robots are upgraded with human tissue. In this rapidly converging technoscape,
the covert-ops agents of Section 9 are charged to track and crack the most
dangerous terrorists, cybercriminals, and ghost hackers the digital future has
to offer. Whether dealing with remote-controlled corpses, lethally
malfunctioning micro-machines, or cop-killer cyborgs, Section 9 is determined
to serve and protect... and reboot some cyber-crook ass! Ghost in the Shell 1.5 lacks the overall narrative arc seen in the
other collections, but the stories themselves are still as dense and complex.
Showing the collision between a near-contemporary society on the verge of a very
messy cyberpunk infused technological singularity.
Much
like in the original manga, Section 9 is effectively a hard-nosed special
police force focused on dealing with the new and burgeoning issues of cyber-crime.
This means that each story is often based around detective work in unraveling a
strange and complex mystery. From dealing with walking dead people and the ever
present issues of sentience in Fuchikomas,
each of the stories make for an interesting and thought provoking read; this is
a great collection of standalone cyberpunk stories set within the world of Ghost in the Shell, and while you don’t
have to read them to appreciate the broader narrative arcs in the first and
second manga collections, they work very well on their own merits as short stories
within that same setting; in any case, the fact we have this collection
re-released and in wide circulation is something I am greatly relieved to see.
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